Friday, May 21, 2010


Hi Fellow Writers and Readers,

Did you find the reveals I told you'd find in the Jeff Bridges article by Steve Fisher?  Come on....tell me.  I'll post later this week what I found.


Thursday, May 13, 2010


I'm pleased to bring you Steve Fisher's interview of actor Jeff Bridges.   There are some great reveals for writers in the on.
Film critics, historians and fans have said Academy Awards for acting are often given to make up for prior snubs and not for the performance nominated.

Jeff Bridges finally won one this year, for his performance as self-destructive country musician Bad Blake in Crazy Heart. But even though his previous four nominations could have been winners, this is not a consolation prize: It is wholly earned.

The chain-smoking, hard-drinking, relationship-challenged, self destructive former country music star he portrays is a far cry from the amiable star in real life, although they do share one thing, according to Bridges: “Certainly the love of music was a parallel for us. I’ve been playing music since I was a kid. Love a lot of the same music that Bad loved.”

The Bridges method

That Bridges was able to so completely embody Bad Blake is a testament to his talent.

(AP Photo/Mark J. Terrill)
Bridges won his Oscar for best performance by an actor in a leading role by doing what he does in every role, and what the best actors aim for: being in the moment. It is perhaps the main asset that critics and fans cite when they talk about his films, and Bridges makes it look effortless. It is anything but.

Talking with Bridges prior to the Academy Awards—by phone, as he prepared to fly off to the location of his next film shoot—one gets the sense that he is almost as laid-back as his iconic character, and the role fans most approach him about, slacker and stoner Jeff “The Dude” Lebowski, in The Big Lebowski.

But Bridges’ approach to a role is intense and begins long before shooting starts. “I prepare for them all basically the same way. You start with the script and look at the lines that people say about your character and lines your character says about himself,” he explains. “Then you look inside yourself and figure out what are the parallels between myself and the character. I might magnify some of those parallels and kick the aspects of myself that don’t really coincide with the character.

“I’m very blessed to have a 33-year marriage.…Sue, my wife, has been through all that stuff with me and supported me. Bad didn’t have that kind of support system,” Bridges says, showing how an actor can tap into a positive life experience to find the negative.  “Bad attempted marriage four times, so you know he longed for that kind of intimacy.  So that was something you kind of use.”

He is also quick to point out the contributions of others.  “Then you look around and find people among your group of friends that might remind you of that character,” he continues. Bridges makes special mention of Stephen Bruton, who wrote the music for the film, along with T Bone Burnett.

“My biggest role model in the whole thing was Stephen Bruton,” says Bridges. “He’s the guy the movie was dedicated to. He died shortly after it was completed. He was with me every step of the way, giving me little tips.  I always encouraged him to let me know what it’s really like, being a musician, living on the road, because that’s what his life was like.”

Bridges also lauds his co-stars and others. “One of the wonderful things about making movies is you’re working with all these other artists, creative people, and you get the benefit of all their input,” he says.

Growing up show-biz

Jeff Bridges has been appearing in films and on television since he was a tot, making his debut in a 1951 film, The Company She Keeps, with his mother, Dorothy Dean Bridges, and brother, Beau Bridges, and graduating to more substantial roles alongside his dad, Lloyd, who had a hit television series all baby boomers are familiar with: Sea Hunt.

“All my basic training is really from my father and my brother, Beau,” Bridges says.

While most parents who work in the entertainment business tend to dissuade their offspring from taking the same route, Lloyd Bridges was a strong proponent. “My father really encouraged all of us to go into show biz, he loved it so much, all the different aspects,” Jeff relates.

But the younger Bridges initially had other aspirations: “I love music. I know that’s where my interest was.” Other artistic endeavors include painting, ceramics and photography. He has published a book of photos he has taken on movie sets, titled Pictures. Some of his backstage photos are on his official Website,

“I didn’t make a conscious choice about my career until kind of late in my life,” he adds. “I’d maybe done 10 or 12 movies before I decided to be an actor, make that my main career.”

Unlike some of the Hollywood stories that grace the supermarket tabloids, Bridges grew up in a loving, cohesive family unit. His parents had one of the longest marriages in a business not known for marital longevity.  He credits that as one of the reasons for his own long-term marriage but doesn’t take his relationship with Sue for granted.

“We’re in love,” he states. “That’s a good thing. And then we practice love. We’ve been married 33 years. Life can be a challenge. You come up against things where some people will say, ‘I’ve had it; that’s too tough.’ But if you stay with those feelings and try to understand the other person’s position and really be there for the other person, your love gets to expand. I guess it’s almost like working out. You work out and it becomes easier and you start to enjoy it.”

Bridges claims his own parenting skills have mirrored those of his parents. “My mom was really the center of our family,” he recalls. “We called her ‘The General,’ and she held it all together. My wife, Sue, has kind of taken on that role in our family. And my father was very loving—we had a very, very close relationship, all lines of communication were very open— but, like me, he was traveling a lot. My wife told me that, over the last 14 months, I’ve been away 11, so that’s tough.”

The importance of being a father—to his three daughters—rivals his artistic ambition, but he was determined to spare them the career advocacy. “I didn’t encourage them like my dad,” he adds. “I thought I’d let them discover their own interests and let them pursue those. Now that they’re in their mid–20s I’m sort of sad I didn’t give them a little more encouragement, because they certainly have the talent. I think I waited a little too long to get them bit by the bug. We’ll see.”

The next chapter

During our conversation, Bridges is on his way to take on the role of Rooster Cogburn in the Coen brothers’ version of True Grit, a film memorable for John Wayne’s only Oscar winning performance, as Cogburn. “The Coen brothers are referencing the book, as opposed to the movie,” Bridges clarifies. “So that’s what I’m doing too. John Wayne was a wonderful actor, but I’m not trying to copy him.”

He is also days away from the Academy Awards presentation and trying not to think about it.  “When people talk about it, I can feel myself kind of tighten up a little bit,” he says, but he finds a more selfless way to look at it. “These awards bring attention to the movie and put people in the theaters. That’s what’s really gratifying about this.”

After the award ceremony, The Connection reconnected with Bridges via e-mail to get his take on the win.

He wrote, “The image of a magic slate comes to mind—you know, that thing you used to draw on when you were a kid. And then when you went to wipe the slate clean, you lifted this plastic sheet and everything you had previously drawn was erased. So that’s what it felt like: like cleaning the magic slate.”

And then, sounding a bit like The Dude, he added, “It feels like some sort of cosmic chiropractic adjustment.”
Steve Fisher has been writing for The Costco Connection for four years, interviewing celebrities, Costco members and suppliers, and touting the joys and virtues of Costco membership. Prior to that, he wrote for television, film and stage, amassing more than 100 produced credits, including Days of Our Lives, The Young and the Restless, The New Adventures of He-Man, and many others, and is a proud member of the Writers Guild of America, West.
Please visit The Costco Connection magazine to see the original article including some great pictures : 

Thank you Steve Fisher and The Costco Connection for allowing this reprint.

Sunday, May 9, 2010

Happy Mother's Day!

Someone e-mailed me this post and I loved it. Thanks to the author unknown who wrote it and all of the caring, wonderful moms out there.


A woman, renewing her driver's license at the County Clerk 's office, was asked by the woman recorder to state her occupation.

She hesitated, uncertain how to classify herself.

"What I mean is," explained the recorder, "Do you have a job or are you just a ....?"

"Of course I have a job," snapped the woman.

"I'm a Mom."

"We don't list 'Mom' as an occupation, 'Housewife' covers it, said the recorder emphatically.

I forgot all about her story until one day I found myself in the same situation, this time at our own Town Hall. The Clerk was obviously a career woman, poised, efficient, and possessed of a high sounding title like, "Official Interrogator" or "Town Registrar."

"What is your occupation?" she probed.

What made me say it? I do not know the words simply popped out. "I'm a Research Associate in the field of Child Development and Human Relations."

The clerk paused, ball-point pen frozen in midair and looked up as though she had not heard right.

I repeated the title slowly emphasizing the most significant words. Then I stared with wonder as my pronouncement was written, in bold, black ink on the official questionnaire.

"Might I ask," said the clerk with new interest, "just what you do in your field?"

Coolly, without any trace of fluster in my voice, I heard myself reply, "I have a continuing program of research, (what mother doesn't) In the laboratory and in the field, (normally I would have said indoors and out). I'm working for my Masters, (first the Lord and then the whole family) and already have four credits (all daughters). Of course, the job is one of the most demanding in the humanities, (any mother care to disagree?) and I often work 14 hours a day, (24 is more like it). But the job is more challenging than most run-of-the-mill careers and the rewards are more of a satisfaction rather than just money."

There was an increasing note of respect in the clerk's voice as she completed the form, stood up, and personally ushered me to the door.

As I drove into our driveway, buoyed up by my glamorous new career, I was greeted by my lab assistants -- ages 13, 7, and 3. Upstairs I could hear our new experimental model, (a 6 month old baby) in the child development program, testing out a new vocal pattern. I felt I had scored a beat on bureaucracy! And I had gone on the official records as someone more distinguished and indispensable to mankind than "just another Mom."


What a glorious career!

Tuesday, May 4, 2010

Interview with D.P. Lyle author of STRESS FRACTURE

Hello, Five Scribe Readers. It’s no secret I love conducting interviews; there’s also those that should be four and five-part series. Such is the case for today’s guest, D.P. Lyle, Author of STRESS FRACTURE, which is a newly released thriller through Medallion Press, Inc. D.P. Lyle, MD is the Macavity Award winning and Edgar Award nominated author of the non-fiction books, "Murder and Mayhem, Forensics for Dummies, Forensics and Fiction, and Howdunnit: Forensics as well as thrillers, Devil's Playground and Double Blind. Dr. Lyle has worked with novelists and writers of shows such as Law & Order, CSI: Miami, Diagonsis Murder, Monk, Judging Amy, Peacemakers, Cold Case, House, Medium, Women's Murder Club, and 1-800-Missing. Please welcome D.P. Lyle.

D.B.: Good morning, Dr. Lyle: I just finished perusing your website, and I’m honored that you stopped by to talk to us about STRESS FRACTURE. You’ve obviously garnered some famous colleagues along the way, quotes by Lee Child, Tess Gerritson, Michael Palmer, to name a few. I want to qualify that I’ve read most of these authors, and your work can compete with any of them in my subjective opinion. I’m going to talk about STRESS FRACTURE, almost in its entirety since that’s why you’re here. But, of course, with your background, forensics and crime scene analysis are bound to overlap. My first question involves Dub Walker: What brought your protagonist to life?

DPL: As the story evolved over the years -- the first draft was written 12 years ago -- Dub Walker simply evolved over time. This book started a dozen years ago with a different protagonist, different title, and in a different location. Over the years it has changed titles four times, settings three times, and protagonist once. As the story evolved so to Dub. So he wasn’t created overnight or even over a single draft but he evolved from the original protagonist to become what he is now.

D.B.: Ah, this makes sense. As I read Dub’s story, he is so well developed and so three dimensional, I got the impression that this novel was a book further along in the series. Have you written more Dub Walker books or is this book one?

DPL: I’m glad you had that connection with him. This is the first in the series but the second in the series is also written and it was completed even before this one went through final edits so maybe that’s why it seems like it’s not the first in a series. Couple this with the fact that this story has been around as I said above for a dozen years and has gone through 23 drafts and that might also play into the character development you’re talking about.

D.B.: It shows and enhanced the story richly. Something struck me while reading about Dub. Dub is a crime scene and forensic expert. He’s a consultant to law enforcement, well known in the media, and like his creator, has written several non-fiction works. Unlike his creator, however, Dub Walker didn’t graduate from medical school. With your background, you could have easily developed a highly credentialed protagonist. Why did you choose to portray Dub in this fashion?

DPL: That was done on purpose. Most medical thrillers revolve around a physician as the protagonist for obvious reasons but I wanted someone who was not a physician to be the hero of the story. Yet I wanted him to have medical knowledge. I did not want him to have a license since that would severely restrict the things he could do during an investigation. If you have a license to protect there any rules you cannot bend and laws you can’t skirt. I wanted Dub to have the knowledge but without the restriction. Since he made it most of the way through medical school, his fund of medical knowledge is quite deep and broad, and since he spent six years working in a forensic lab, his understanding of that science is also thorough. Add to that the fact that he spent two years as a Marine MP and he had police sense. So he understands medicine, forensics, and police procedures and has an innate knack for putting evidence together and looking at it a little differently, as well as an understanding of how criminals think.

D.B.: Dub is a well-drawn character who experiences fear, heartbreak; he love’s his friends and has compassion for strangers. He also appears to have a lot in common with D.P. Lyle. He’s obviously driven to work in forensics, consumed with catching the bad guy and is a fan of medical science and technology. Dub lives in Huntsville, Alabama, loves to spice up his food with tobasco sauce, which he conveniently carries in his pocket. He’s divorced, but still in love with his ex-wife, and he plays the guitar and jams with musicians on occasion. In what way are you like Dub, and how is Dub different from D.P. Lyle?

DPL: Dub and I share a fascination with science and particularly medical and forensic science. We also share a love for problem solving and the fact that responsibility and accountability are important issues. Like me, he doesn’t like to see the bad guys get away with it. He also plays the guitar as do I. So there’s a lot of me in there but there’s also a lot of him that is unique.

D.B.: Several things struck me while reading STRESS FRACTURE. (Well, lots of things struck me, so much so that I got up and locked my bedroom door in the middle of the night.) The first was that you identify your serial killer from the start. As I read, I thought why would D.P. Lyle do this? But as I read I discovered that this was a professional author yanking the readers’ strings expertly. I’m curious, was this the way you originally started the book? Were there rewrites, or did you know from the beginning that you wanted to identify your killer? Talk about what brought him to life and how he changed, if any, through the versions.

DPL: Good. I’m glad you had to lock the doors. Isn’t that what thriller writers want? Yes, it was a conscious decision to identify the killer early. This is not unusual in that it does happen in other thrillers. People often ask what the difference is between a mystery and a thriller and for me it is superior knowledge by the reader. The reader knows things that the protagonist does not. This is the thrill. With a mystery, the protagonist and the reader tend to uncover evidence step-by-step and together whereas in a thriller the reader knows things that the protagonist does not and therefore worries each step of the way that the protagonist is moving in the wrong direction and walking straight into a dangerous situation. Again, that’s the thrill.

When I first wrote the story I kept the identity of the antagonist hidden throughout most of the story but it felt contrived and not real to me. So I went back and moved his identification earlier and earlier in the story until I basically revealed who he was from the beginning. So is there no mystery involved in this book? Actually there is because the killer is not who he seems to be and all the players involved in who he is are not readily apparent. I think one reviewer said this was more a why-done-it than a who-done-it. I think that assessment is correct.

D.B.: I appreciate the clarification. Your killer is a tortured individual, and I loved that he wasn’t a cut and dried bad guy. There were times I genuinely empathized with him and hoped he’d get help. Your antagonist is a victim of PTSD (post traumatic stress disorder.). As I read about his troubles and the drug your characters created to treat him, I wondered if pharmaceutical companies really are in the development stage of a prototype drug for PTSD? I am familiar with REM therapy, but I wondered how closely this story is tied to reality, or if your scenario (Please God) is greatly exaggerated?

DPL: PTSD is a poorly understood entity that has always been related to wartime stresses but that’s not the whole story. This syndrome can appear in people in all types of situations -- abusive marriages, child abuse, severe illnesses where the person flirts with death, and almost any other prolonged stressful situation that you can think of. The reaction to these stresses is very similar to the reaction seen in wartime. That chronic being on edge and being under pressure is what leads to the disorder.

This is an area of great interest right now in medical circles and there is a great deal of research going on, not only in the pharmaceutical arena, but also in the psychiatric arena. Yes, drug companies are actively seeking better drugs for this disorder. One of the problems is that all of these psychotropic drugs, as they are called, have serious side effects and many of them can even cause what they’re intended to cure. That’s one of the paradoxes in medicine and is not all that rare.

D.B.: I would say that the theme of your book is the standard good versus evil, and sadly manipulation twisted with greed. Am I missing anything else besides the fact you love to scare readers to death and give them an amazing, page-flipping read?

DPL: No, you hit it right on the head. Scaring people is what it’s about. But aside from that, I wanted to give readers a look into this world of PTSD and its various treatment forms and also how various stresses can cause someone to react in very odd and indeed over the top ways. I’ve always been fascinated with what makes people do what they do and this would represent a very extreme form of that. What makes this killer do what he does and in the manner in which he does it? To me that’s the big question in the story.

D.B.: Let’s talk about the writing aspect of STRESS FRACTURE. You write fairly short chapters, you have a marvelous way with character body language (I admired the way Dub analyzed and unwound clue after clue by watching people – quite simply it worked.) You also developed strong secondary characters and have plot-enhancing dialogue. Your hooks kept me turning pages. How long have you been writing fiction, and did fiction and non-fiction coincide? Now here’s a hard question: If you had to give up one or the other, which would it be?

DPL: Thank you for your kind words. I began writing fiction a dozen or so years ago with this story. This was the first book I ever wrote. It took 2 1/2 years and was 138,000 words of garbage. I sent it to my agent, Kimberly Cameron, and after she read it she called me and said, “There is a story in here somewhere, I just can’t find it.” And that’s exactly what I needed to hear. So back to the drawing board, back to writing and writing and writing. And of course reading. So as I said this went through many changes and 23 drafts before becoming what it is now. In the interim I wrote two more novels and four nonfiction books. So I guess they both went along together -- fiction and nonfiction going on at the same time. I like them both so I would want to give either one up, so please don’t make me.

DB: No problem, particularly when you're so good at both. You like to help writers, whether famous or aspiring. I myself have benefited from your expertise countless times. Are you available for speaking at conferences, workshops and more?

DPL: I love answering questions for writers and have often said I probably learn more from their questions than they do from my answers. I’m constantly amazed at how the minds of writers work. They come up with some wild and outlandish scenarios and some incredibly intriguing questions. When I answer a question I try to put it into the context of their story so that they can use it to make their manuscript stronger. That’s the hope anyway. I always try to approach the questions not only as a scientist offering information but as a writer hoping to help them craft a sellable and publishable story.

Of the hats that I wear by far the one I enjoy the most is teaching so I love to speak at conferences and workshops. Ask any teacher and they will tell you that the biggest satisfaction is when those little light bulbs go on and you can see people in the class grasp what you’re talking about and say to themselves, “So that’s how it works.” That is fun stuff.

D.B.: The stethoscope shown around your neck leaves me to ask if you still practice medicine.

DPL: Yes I still practice cardiology in Orange County California. Been here doing that for over three decades and see no reason to stop.

D.B. So much plot went into STRESS FRACTURE that I’m hesitant to give it away. I loved the setting and the Southern charm of Huntsville. The scenes you created intermingled with actual places were vivid and the sensory detail exquisite one moment, horrific the next. When you’re in Dub’s head, I thought one of the most effective things you did was compare actual serial killers to the antagonist Dub and his cop sidekick T. Tommy were after. This book was a very fast read, scary and Medallion got the label right--thrilling. With your background, do you have to do research or do you simply sit down and write?

DPL: Most of the medical and forensic stuff I know pretty well now. I’d better. But I still have to look up details from time to time. And of course when you’re writing a book and the setting is an important part of the story, you have to research that setting. You have to know where things are, how they’re laid out and relate to one another, what the weather is like, what the local customs are, and a million other things. All that has to be researched. In this book some of the places are real and others are complete fabrications. The people who live in Huntsville will know which is which but I would hope that readers who have never been there won’t be able to tell the difference.

D.B: Understood. What’s next for D.P. Lyle writing-wise? Any book signings or conferences you’ll be attending?

DPL: The follow-up to Stress Fracture is already completed and will be out in 2011. It is titled Hot Lights, Cold Steel and it deals with robotic surgery. That’s about all I’ll say about it right now. The third in the series, titled Run To Ground, is nearing completion of the first draft. It is a story that deals with a murder and skip tracing and involves some fairly sophisticated and high-tech forensics. I am also working on a couple of nonfiction projects as well as teaching on line classes in the Masters of Criminal Justice program at DeSales University.

I go to several conferences every year and enjoy all of them. Not only giving talks and sitting on panels but even more importantly seeing old friends and colleagues and making new friends. To me that’s the fun of these conferences -- the relationships you create. They also help stimulate your writing. How can you not get charged up after being around a bunch of writers? Right now my favorite large conference is ThrillerFest and CraftFest, which ITW puts on the New York each July. My favorite smaller conference is the Book Passage Mystery Conference up at the Book Passage Bookstore in Corte Madera. This will be my fourth year teaching there and I always look forward to this conference. It is very craft oriented and is attended by serious writers.

D.B.: Do you have any advice for aspiring authors? Advice you’ve been given by fellow authors that has helped you that you’d like to share?

DPL: If you’re a writer you have to write. Everyday. It doesn’t have to be a lot but you have to write. Any muscle will get stronger if it is used and the writing muscle is no different. Also a writer must read and read a lot. This writing deal is more or less an apprenticeship and that means that you learn from people who know more and are more skilled. The library and the bookstore are filled with such people. Lastly, writing is both an art and a craft. The art is the telling of the story and the craft is making it clean and publishable. Don’t let the craft get in the way of the story. Write the story quickly from beginning to end and tell it the way you want to tell it and then go back and clean it up. That’s probably the best advice I can give.

D.B. Sound advice. Writers, are you taking notes? Thanks again for sending me an advance read of STRESS FRACTURE. Readers, you’re in for an all-nighter when you pick up this book.

Dr. Lyle is generously opening up the forum for questions and comments, and one lucky name will be drawn. So if you want in on the drawing, be sure to leave your e-mail so we can get back to you. The drawing will take place the evening of May 7th, so be sure to check back. So without further ado, questions/comments?

Congratulations to Commenter Ruby Johnson. You have won Stress Fracture by D.P. Lyle.

Monday, May 3, 2010

Crested Butte Conference is Coming!

Joining us today is Theresa Rizzo, fellow scribe and coordinator for the Crested Butte Writers Conference in Crested Butte, Colorado. I’ve been to many, many conferences throughout my writing career, but none as unique as this conference.

Okay, so maybe I haven’t traveled as much as some of you (which could be very true), and I have heard Desert Dreams and Maui offer extraordinary experiences beyond the conferences revolving around the same old format: conference hotel, conference food, conference program and networking (yay! on that last one).
The CB conference does feed you and they do offer accommodations and yes, there are speakers, but the entire experience…well, let’s just let Theresa tell you about it : ) Welcome, Theresa!

What is the history of the CBWC. How did it begin and why?

The conference grew out of a one-day reader and author day called the Reader in the Rockies, started by Crested Butte author, Barbara Crawford. Curious readers were invited to have lunch with famous authors and listen to them talk about their writing process. Then while Barbara went to the expense to bring these authors in, she got them to give a half-day writing workshop to the writers in the area.

I first met Barbara at the 2006 RIR. She and I had both been to the Maui Writers Conference and admired the event. Barbara confided that she aspired to turn the Crested Butte event into a mini-Maui, but needed more money and help to grow the conference. I suggested, and offered to run a contest for unpublished authors, The Sandy, as a fundraiser to help pay to bring in agents, editors, and speakers. We quickly discovered that Barbara and I share a similar vision and work quite well together. And the rest, as they say, is history.

Why attend this out of the way conference as opposed to something central like Rocky Mountain Fiction Writers?

Barbara and I admired the beauty and specialness of the Hawaiian island local, the quality of the workshops, the high caliber of the agents, editors, and speakers, and the friendly supportive ambiance that distinguished the Maui conference. We hoped not to just duplicate those qualities, but to surpass the excellence of that whole experience—and the beauty and magic of the Crested Butte Valley gives us the perfect home to achieve such a goal.

Our conference is much harder to get to than more centrally located venues and because it’s nestled deep in the Elk Mountains, it will take more time, effort and expense to get there—but it is SO worth it. It may sound fanciful, but there’s a creative magic in the mountains—in the very air of the valley. It’s simply comforting and inspiring. Every time I drive into the valley, a peace settles over me and my soul sighs.
I’ve yet to meet a person who has attended that hasn’t felt the magic of Crested Butte and been charmed not just by the spectacular mountain vistas, but by the friendly people who call it home. You’re more at peace there, inspired and focused—which translates into the perfect writing environment. Ask any writer who has been to CB and I’d be willing to bet they’ve written far more and solved more plot issues by walking through those mountains, than any other writing place.

Simply put—it’s worth the trip. But just to make sure writers give us a chance, we stack the deck in our favor by inviting outstanding speakers and quality agents and editors and offering the best, most efficient conference experience we can conceive. We’re constantly trying inventive things to improve it.

How do you pull in the big names as keynote speakers for being a small, intimate conference?

This year we have the incomparable, best-selling James Scott Bell as our keynote speaker, as well as a two-time Pulitzer Prize finalist, H. W. Brands, Ms. Holly Payne, and such local talent of Rocky Mountain Fiction Writer’s own Janet Lane and Jeanne Stein. And then as a final treat . . . we have our own Crested Butte Writer’s pride and Joy—Ms. Kaki Warner to close the show!

We’ve never had trouble getting speakers, agents, and editors to come to our conference for several reasons. The first and foremost reason is the lure of Crested Butte. Just send them a picture of the area—and that’s all it takes. If they can fit us into their schedule, they do. It doesn’t hurt that we pay for their travel and lodging expenses. But just to make sure, we make an effort not work them too hard—making sure they have a little time off to explore the area.

So what’s unique about this conference?

The Crested Butte Writer Conference has many unique features that really help distinguish us as an up-and-coming premier writing conference.

As I said, we strive to do things a little better, more efficiently, friendlier than other writing events from things as simple as name tags (everybody’s name tags—even our agents, editors, and speakers) with your first name written in HUGE letters to encourage that personal, informal connection to the efficient way we do our agent/editor appointments, to our brand new website)—packed with every bit of information a person could want to know.

A few points to highlight our uniqueness:
· Pie in the Sky Book signing
· Pitch and Pages
· Group Discounts
· Reader Day
· Sandy Finalists honored on panel & invited to evening reading at Trackers bar
· Gourmet Meals

To be honest, another goal we hope to accomplish with our conference is to help the resort area. Scheduling the conference at the opening of the summer season allows us to book our venue at a discounted rate we can afford to help keep the conference fees down for our writers. We work hard with local lodging to make it affordable for people to stay in the resort town. The local restaurants and stores are excited about welcoming our guests—not just because it’s their natures to be so friendly and open, but they also appreciate the income generated by visitors to help sustain them through the 4 months a year off seasons when the town empties out.

Come visit us and see for yourselves!

Thank you Theresa for the exciting glimpse into one of my favorite conferences. Like Theresa mentioned, Crested Butte offers a getaway for your mind, body and soul.

Keep the date open -- June 18 - 20, 2010. It's a weekend you won't forget!

And...just a little tidbit of inside info. After visiting Crested Butte the first time, I knew I just had to write a book set in this unique area that offers snow-capped mountains, lush valleys, a quaint town and a challenging ski area. Rocky Mountain Hero, my debut book, January 2011 Steeple Hill Love Inspired, reflects the beauty and grandeur of the Crested Butte area, under the pseudonym of Hawk Ridge, of course.